For me, it is essential that a work state and affi rm its intention.
In this sense, luckily, we are in a continuous process of creation
and recreation. The choreographer has to consider the interpreters,
context and time of the current performance.
Adding the word “Feeling” to the title should sharpen its intention
and existence and thus open it up. It is a way of stating the
personal belief that White can carry all colours, that it offers a
space of tolerance and of commonness, allowing for sensitivity
and different energies.
A space traversed by the eloquence of bodies that wish to create
tolerance and positivism, a space that carries and at the same
time is universal language, the “Feeling” bestows upon the body
its capacity as the perfect mediator of our varied sensitivities.pacité
de médiateur d'excellence de nos sensibilités diverses.